I Am the Martyr Sanâ' Yûsif Muhaydlî
In Support Of Art And Democracy
Thoughts on Archiving E:vent Projects and Events
29 Decisions for a Time Capsule Radio Piece
Porta2030 - Imaginary And Real!
Mutlitudinario: Excerpts On Multitude And Asymmetry
A certain tendency in Israeli cinema
Jessica Voorsanger's Celebrity Question
De-sublimation of the Multitude
The Multitude: Art in the Urban Context.
Micalef reading "Pulling a Catch 22"
From memory to memory and back again
A Topology Of Synthetic Pleasure
Welcome To The Post-Psychedelic- Baroque
Nobody Escapes, Nobody's An Artist
Incipient Stages of Useful Structures
Dialogue #3 (That's not for me to say)
Institutionalised resistant places - theme park anarchism
Only a Network Can Save Us Now
The Anxiety of the Lonely Listener
A Species Of Punishment Inflicted On Innocence
The Neurobiopolitics of Global Consciousness
"In a sense, the power of normalization imposes homogeneity; but it individualises by making it possible to measure gaps, to determine levels, to fix specialties, and to render the differences useful by fitting them one to another. It is easy to understand how the power of the norm functions within a system of formal equality, since within a homogeneity that is the rule, the norm introduces, as a useful imperative and as a result of measurement, all the shading of individual differences." (Foucault, Discipline and Punish, 184)
The artist has made her replicas, they are working in the studio. Keeping company, toiling with matter and meaning, suffering the discomfort of the windowless space, the isolation of the studio, the toxic vapours, the life of uncertainty, expressing their empty selves. The artist may now be inanimate or get lost in the crowd of supercilious hecklers and sectarian profiteers, finding the trail of bread crumbs through the thicket of a social moment concerned not with reality but verisimilitude, the perfected artifice.
