I Am the Martyr Sanâ' Yûsif Muhaydlî
In Support Of Art And Democracy
Thoughts on Archiving E:vent Projects and Events
29 Decisions for a Time Capsule Radio Piece
Porta2030 - Imaginary And Real!
Mutlitudinario: Excerpts On Multitude And Asymmetry
A certain tendency in Israeli cinema
Jessica Voorsanger's Celebrity Question
De-sublimation of the Multitude
The Multitude: Art in the Urban Context.
Micalef reading "Pulling a Catch 22"
From memory to memory and back again
A Topology Of Synthetic Pleasure
Welcome To The Post-Psychedelic- Baroque
Nobody Escapes, Nobody's An Artist
Incipient Stages of Useful Structures
Dialogue #3 (That's not for me to say)
Institutionalised resistant places - theme park anarchism
Only a Network Can Save Us Now
The Anxiety of the Lonely Listener
A Species Of Punishment Inflicted On Innocence
The Neurobiopolitics of Global Consciousness
As part of the on-going project, The Metropolitan Complex, Sarah Pierce was commissioned by Paul O'Neill to interview artists at Redux Space in London as an aspect of curatorial practice within his exhibitionary project 'Coalesce', hosted in May - June 2005 by Peter Lewis and Makiko Nagaya, the organisers of Redux [itself a series of survey events and curating initiatives held from 2003-2006].
http://www.reduxprojects.org.uk/coalesce/shows_coalesce_press.html
The interviews form part of the greater work Pierce has been archiving in various forms of practice: papers, publications, events and audio recordings.
http://www.themetropolitancomplex.com
Interviews: Peter Lewis, Elizabeth Price, Maria Fusco, Craig Smith, Jason Coburn
