I Am the Martyr Sanâ' Yûsif Muhaydlî
In Support Of Art And Democracy
Thoughts on Archiving E:vent Projects and Events
29 Decisions for a Time Capsule Radio Piece
Porta2030 - Imaginary And Real!
Mutlitudinario: Excerpts On Multitude And Asymmetry
A certain tendency in Israeli cinema
Jessica Voorsanger's Celebrity Question
De-sublimation of the Multitude
The Multitude: Art in the Urban Context.
Micalef reading "Pulling a Catch 22"
From memory to memory and back again
A Topology Of Synthetic Pleasure
Welcome To The Post-Psychedelic- Baroque
Nobody Escapes, Nobody's An Artist
Incipient Stages of Useful Structures
Dialogue #3 (That's not for me to say)
Institutionalised resistant places - theme park anarchism
Only a Network Can Save Us Now
The Anxiety of the Lonely Listener
A Species Of Punishment Inflicted On Innocence
The Neurobiopolitics of Global Consciousness
In our video When I Look Up, I Fall Down, the action of transplanting footage gathered on location from an Oregon old-growth forest to a commercial shipping container in the midst of Manhattan reinforces the mental disconnect between nature and its conversion to consumables.
The lush tree canopy no longer offers a sense of shelter. Experienced in such a confined, temporal space, the disorienting spin and audio amplifies the larger ecological as well as personal conundrum more acutely than a white-box gallery context.
DiVA Streets is presented in conjunction with the DiVA NY07 Fair, and consists of ten shipping containers with video projections placed around the streets of Chelsea. The project is open to the public for the week prior to the Armory Show and other art fairs, when the international art world descends upon New York. We wanted to present an alternative image for visual consumption, one that would possibly leave a lingering afterimage with the viewer.
